1
00:00:01,436 --> 00:00:03,003
PREVIOUSLY ON "BATWOMAN"...

2
00:00:03,046 --> 00:00:05,353
QUITE FRANKLY
THE MAKEOVER THIS CITY NEEDS

3
00:00:05,396 --> 00:00:07,137
COMES FROM AN UGLY
I'VE NEVER SEEN BEFORE.

4
00:00:07,181 --> 00:00:10,227
ANGELIQUE: I LOVE YOU SO M--

5
00:00:10,271 --> 00:00:11,750
OH, NO!

6
00:00:11,794 --> 00:00:14,362
WE ARE GOING TO GET
ANG BACK, OK?

7
00:00:14,405 --> 00:00:16,407
I KILLED OCEAN,

8
00:00:16,451 --> 00:00:18,975
AND I FELT...NOTHING.

9
00:00:19,019 --> 00:00:21,717
I'M ALIVE
AND VERY PISSED OFF.

10
00:00:28,028 --> 00:00:30,247
SOPHIE: ANGELIQUE--
WHERE IS SHE?

11
00:00:30,291 --> 00:00:33,033
BLACK MASK: WAVE HELLO
TO YOUR FANS, ANGELIQUE.

12
00:00:33,076 --> 00:00:35,992
I NEED YOU TO WATCH
AS THESE TWO LET
ME GO.

13
00:00:39,169 --> 00:00:41,867
LUKE: YOU TEAMING UP
WITH SOPHIE LIKE THIS--
IT'S A BAD IDEA, OK?

14
00:00:41,911 --> 00:00:44,348
SHE'S GONNA FIGURE
OUT WHO YOU ARE.
SHE'S SMART.

15
00:00:44,392 --> 00:00:46,655
RYAN, ON RECORDING: I'M REALLY
MISSING MY BATSUIT RIGHT NOW.

16
00:00:46,698 --> 00:00:47,917
OH, MY GOD.

17
00:00:51,399 --> 00:00:53,966
[FOOTSTEPS]

18
00:00:54,010 --> 00:00:56,099
BLACK MASK: MASKS
HAVE TAKEN ON...

19
00:00:56,143 --> 00:00:58,536
VARIOUS MEANINGS OVER TIME.

20
00:01:01,017 --> 00:01:05,021
DECEIT, DISGUISE,

21
00:01:05,065 --> 00:01:07,850
CHEAP ENTERTAINMENT,

22
00:01:07,893 --> 00:01:09,721
BUT AS JUNG ONCE SAID,

23
00:01:09,765 --> 00:01:11,462
WE ALL WEAR MASKS,

24
00:01:11,506 --> 00:01:15,466
BOTH TO CREATE
AN IMPRESSION
UPON OTHERS

25
00:01:15,510 --> 00:01:19,122
BUT ALSO TO HIDE
OUR OWN TRUE NATURES.

26
00:01:19,166 --> 00:01:20,819
WOMAN: ♪ STAY AWAKE

27
00:01:20,863 --> 00:01:22,386
♪ OOH, OOH, OOH

28
00:01:22,430 --> 00:01:25,302
GOOD EVENING, MR. SIONIS.

29
00:01:25,346 --> 00:01:32,918
WOMAN: ♪ WILL YOU FOLLOW ME
INTO THE DARK? ♪

30
00:01:32,962 --> 00:01:37,836
♪ WILL YOU FOLLOW ME INTO
THE DARK? ♪

31
00:01:37,880 --> 00:01:40,491
IT'S ABSOLUTELY
BEAUTIFUL.

32
00:01:40,535 --> 00:01:43,929
HMM. THOUGH MAKING
PEOPLE LOOK THEIR BEST
IS MY SPECIALTY,

33
00:01:43,973 --> 00:01:48,586
I THINK THIS JUST
SO HAPPENS TO BE
MY MASTERPIECE.

34
00:01:48,630 --> 00:01:51,676
FOR GENERATIONS,
EVERY SIONIS...

35
00:01:51,720 --> 00:01:55,027
HAS HAD
A REPLICA MASK

36
00:01:55,071 --> 00:01:57,160
DECORATING THEIR CASKET.

37
00:01:57,204 --> 00:02:00,816
[MOANING]

38
00:02:00,859 --> 00:02:02,818
I EXHUMED THIS ONE...

39
00:02:02,861 --> 00:02:05,995
FROM THE COFFIN
OF MY DEARLY
DEPARTED DAUGHTER,

40
00:02:06,038 --> 00:02:09,825
ONCE DEAD,
NOW ON THE VERGE
OF REBIRTH.

41
00:02:09,868 --> 00:02:14,308
MY NAME IS KATE KANE.

42
00:02:16,310 --> 00:02:20,052
NO. NO. UGH!

43
00:02:24,448 --> 00:02:27,451
DR. RHYME,
IF YOU WOULD.

44
00:02:27,495 --> 00:02:30,933
MS. KANE,
OUR THERAPY HAS COME

45
00:02:30,976 --> 00:02:32,587
TO AN END POINT.

46
00:02:32,630 --> 00:02:35,807
ON MY CUE,
YOU WILL REMEMBER

47
00:02:35,851 --> 00:02:38,941
NOTHING OF YOUR LIFE
BEFORE TODAY.

48
00:02:38,984 --> 00:02:41,335
YOUR ONLY MEMORIES
WILL BE THOSE

49
00:02:41,378 --> 00:02:45,295
OF CIRCE SIONIS.

50
00:02:45,339 --> 00:02:47,906
NO. N--

51
00:02:52,215 --> 00:02:53,477
NO!

52
00:02:53,521 --> 00:02:54,609
[BANG BANG]

53
00:02:54,652 --> 00:02:55,914
UGH!

54
00:03:00,832 --> 00:03:03,095
I MUST WARN YOU, ROMAN.

55
00:03:03,139 --> 00:03:05,359
WHILE PSYCHOLOGICALLY
AND BEHAVIORALLY

56
00:03:05,402 --> 00:03:07,230
SHE IS YOUR DAUGHTER,

57
00:03:07,274 --> 00:03:09,406
THERE WAS NOTHING I COULD
DO ABOUT HER VOICE.

58
00:03:09,450 --> 00:03:11,887
HER LARYNX WAS DAMAGED
BY YOUR MAN

59
00:03:11,930 --> 00:03:14,890
DURING THE KIDNAPPING
AND SUBSEQUENT TORTURE.

60
00:03:14,933 --> 00:03:16,152
HMM.

61
00:03:16,196 --> 00:03:17,849
[BREATHING HEAVILY]

62
00:03:21,113 --> 00:03:23,768
WOMAN: ♪ WILL YOU FOLLOW ME?

63
00:03:27,555 --> 00:03:30,210
WHAT THE HELL, DAD?
WHY AM I WEARING THIS MASK?

64
00:03:30,253 --> 00:03:32,777
ROMAN: DON'T YOU REMEMBER,
SWEETHEART?

65
00:03:32,821 --> 00:03:37,565
YOU WERE IN A TERRIBLE FIRE
WHEN YOU BROKE OUT OF ARKHAM.

66
00:03:37,608 --> 00:03:40,002
IT STILL FEELS
A LITTLE FUZZY.

67
00:03:40,045 --> 00:03:43,745
HMM. WELL, THINGS
WILL BECOME MORE
AND MORE CLEAR

68
00:03:43,788 --> 00:03:45,486
AS THE DAYS PASS.

69
00:03:45,529 --> 00:03:48,967
THE IMPORTANT THING IS
NOW THAT YOU HAVE THIS MASK

70
00:03:49,011 --> 00:03:52,797
NO ONE WILL EVER
HURT YOU AGAIN.

71
00:03:52,841 --> 00:03:54,146
HMM.

72
00:04:15,472 --> 00:04:17,822
[MOANING SOFTLY]

73
00:04:34,752 --> 00:04:37,973
[SIGHING]

74
00:04:49,550 --> 00:04:51,421
[SNORTS]

75
00:04:51,465 --> 00:04:53,031
OHH.

76
00:04:59,690 --> 00:05:02,432
YOU'RE A LITTLE LATE
FOR TURNDOWN SERVICE.

77
00:05:02,476 --> 00:05:04,521
WHERE IS HE?

78
00:05:04,565 --> 00:05:06,001
UNH!

79
00:05:07,655 --> 00:05:08,743
[ZAP]

80
00:05:08,786 --> 00:05:10,092
UGH!

81
00:05:12,312 --> 00:05:13,530
UNH!

82
00:05:13,574 --> 00:05:16,011
[PUNCHES LANDING,
OCEAN GRUNTING]

83
00:05:22,757 --> 00:05:25,455
[INDISTINCT CHATTER]

84
00:05:40,775 --> 00:05:42,124
TAVAROFF: YES?

85
00:05:49,914 --> 00:05:52,134
SOPHIE: AGENT TAVAROFF,
HEARD A RUMOR

86
00:05:52,177 --> 00:05:54,179
YOU GOT A DNA SAMPLE
FROM THE BAT.

87
00:05:54,223 --> 00:05:56,791
I'LL VERIFY YOUR RUMOR
IF YOU VERIFY MINE.

88
00:05:56,834 --> 00:05:59,446
WORD IS YOU WERE PRETTY TIGHT
WITH THE LAST ONE.

89
00:05:59,489 --> 00:06:01,273
WHAT'S YOUR POINT,
RUSSELL?

90
00:06:01,317 --> 00:06:03,319
OH, THAT YOU COULD SAVE
THE LAB A LOT OF TROUBLE

91
00:06:03,363 --> 00:06:05,234
IF YOU COULD GIVE US
THE NAME OF THIS ONE.

92
00:06:05,277 --> 00:06:08,193
HOW MANY RAPE KITS
HAVE TO GO TO THE BACK
OF THE LINE

93
00:06:08,237 --> 00:06:12,415
SO YOU CAN MAKE
A BIG SPLASH TO
BOOST YOUR CAREER?

94
00:06:12,459 --> 00:06:16,463
THE COMMANDER KNOW ABOUT YOU
SQUANDERING RESOURCES
LIKE THIS?

95
00:06:16,506 --> 00:06:18,682
HE'S THE ONE WHO
SIGNED OFF ON IT
ACTUALLY.

96
00:06:40,878 --> 00:06:42,489
[KNOCK ON DOOR]

97
00:06:44,273 --> 00:06:46,580
COMMANDER?

98
00:06:46,623 --> 00:06:48,408
MOORE, WHAT CAN I
DO FOR YOU?

99
00:06:51,193 --> 00:06:54,239
I KNOW HOW YOU FEEL
ABOUT VIGILANTES, SIR,

100
00:06:54,283 --> 00:06:56,328
BUT INSTEAD OF WASTING
OUR TIME WITH BATWOMAN,

101
00:06:56,372 --> 00:06:58,809
SHOULDN'T WE BE
TRYING TO FIGURE OUT
WHO BLACK MASK IS?

102
00:06:58,853 --> 00:07:01,682
WELL, WE WERE,
BUT BATWOMAN GOT
IN THE WAY OF THAT,

103
00:07:01,725 --> 00:07:03,727
RUINED OUR UNDERCOVER
OPERATION,

104
00:07:03,771 --> 00:07:06,643
AND COST US A CHANCE
TO TAKE DOWN BLACK MASK.

105
00:07:06,687 --> 00:07:08,428
SHE'S ON OUR SIDE,
COMMANDER.

106
00:07:08,471 --> 00:07:10,386
HEH. WELL, IF THAT
WERE TRUE,

107
00:07:10,430 --> 00:07:12,954
SHE WOULDN'T MIND BEING
ON A FIRST-NAME BASIS.

108
00:07:12,997 --> 00:07:16,087
IS THAT THE REAL REASON
YOU'RE DOING THIS?

109
00:07:16,131 --> 00:07:21,832
TRUST? OR IS IT BECAUSE
EVERY TIME YOU SEE HER
YOU THINK OF KATE?

110
00:07:23,355 --> 00:07:25,096
GET OUT OF MY OFFICE,
MOORE.

111
00:07:26,750 --> 00:07:28,491
-EXCUSE ME?
-YOU THINK A LITTLE FLING

112
00:07:28,535 --> 00:07:30,101
WITH MY DAUGHTER
5 YEARS AGO

113
00:07:30,145 --> 00:07:32,887
GIVES YOU PERMISSION
TO TELL ME HOW TO DO MY JOB?

114
00:07:32,930 --> 00:07:35,498
SIR, I--I DIDN'T MEAN
TO OVERSTEP.

115
00:07:35,542 --> 00:07:38,458
GET OUT OF MY OFFICE NOW.

116
00:07:40,024 --> 00:07:41,330
YES, SIR.

117
00:08:01,872 --> 00:08:03,874
WHY ARE YOU MAKING ME
RELIVE THIS?

118
00:08:03,918 --> 00:08:06,355
BLACK MASK KEPT TABS
ON HIS COOKHOUSES
WITH A VIDEO FEED,

119
00:08:06,398 --> 00:08:07,922
ALLOWED HIM AN EYE
ON THE COOKIE JAR

120
00:08:07,965 --> 00:08:09,532
WITHOUT ACTUALLY GETTING
HIS HAND CAUGHT IN IT.

121
00:08:09,576 --> 00:08:11,491
SMART, RIGHT? WRONG.

122
00:08:11,534 --> 00:08:13,623
BECAUSE THAT ALLOWS ME TO
TRACK THE INTERNET TRAFFIC.

123
00:08:13,667 --> 00:08:15,495
SO WE CAN TRACK IT
BACK TO THE CAMERA'S
IP ADDRESS

124
00:08:15,538 --> 00:08:17,061
TO GET THE LOCATION
OF THE COOKHOUSE

125
00:08:17,105 --> 00:08:18,759
WHERE ANGELIQUE IS
BEING HELD.

126
00:08:21,196 --> 00:08:23,415
NOT JUST A PRETTY FACE
HERE, PEOPLE.

127
00:08:23,459 --> 00:08:25,548
SEND THOSE COOKHOUSE COORDINATES
TO THE BATMOBILE.

128
00:08:25,592 --> 00:08:28,551
UH, I'M NOT SURE
THAT'S GONNA BE
YOUR FIRST STOP.

129
00:08:28,595 --> 00:08:30,379
SOMEBODY TURNED
ON THE BATSIGNAL.

130
00:08:32,337 --> 00:08:34,165
[GRAPPLING LINE FIRES]

131
00:08:38,735 --> 00:08:40,476
HI.

132
00:08:40,520 --> 00:08:42,130
IT'S NOT A PAGER.

133
00:08:42,173 --> 00:08:43,914
A LITTLE BUSY HERE.

134
00:08:43,958 --> 00:08:45,873
WELL, UNLESS YOU WANT TO
GIVE ME YOUR NAME AND NUMBER...

135
00:08:45,916 --> 00:08:47,614
UH-HUH.
WHAT DO YOU WANT?

136
00:08:47,657 --> 00:08:50,181
FIRST OFF,
LOSE THE TUDE.

137
00:08:50,225 --> 00:08:52,009
I'M DOING YOU A FAVOR.

138
00:08:55,012 --> 00:08:57,145
I THOUGHT YOU SHOULD KNOW
THE CROWS ARE IN THE PROCESS

139
00:08:57,188 --> 00:08:59,234
OF EXTRACTING YOUR
DNA PROFILE

140
00:08:59,277 --> 00:09:02,411
FROM BLOOD SPATTER FOUND
AT THE SNAKEBITE FACILITY.

141
00:09:02,454 --> 00:09:04,195
ONCE THEY HAVE THAT,
THEY'RE GONNA UPLOAD IT

142
00:09:04,239 --> 00:09:07,155
TO THE NATIONAL
DNA REGISTRY.

143
00:09:07,198 --> 00:09:10,332
OF COURSE, THEY'LL NEED
SOMETHING TO MATCH IT AGAINST,

144
00:09:10,375 --> 00:09:13,204
SO YOU SHOULD BE GOOD

145
00:09:13,248 --> 00:09:15,859
UNLESS OF COURSE YOU'VE
EVER BEEN IN THE SYSTEM.

146
00:09:18,296 --> 00:09:20,472
ANYTHING YOU WANT
TO TELL ME?

147
00:09:20,516 --> 00:09:23,911
OTHER THAN YOU NEED TO
DESTROY THAT SAMPLE?

148
00:09:23,954 --> 00:09:25,913
IT'S ALREADY BEING
PROCESSED.

149
00:09:25,956 --> 00:09:27,871
THEY'LL HAVE THE PROFILE
IN A FEW HOURS.

150
00:09:27,915 --> 00:09:30,395
ARREST WARRANT WON'T BE
LONG AFTER THAT.

151
00:09:31,875 --> 00:09:33,616
I BETTER USE WHAT TIME
I HAVE LEFT

152
00:09:33,660 --> 00:09:35,575
TO SAVE THE ONE PERSON
WHO HAD THE GUTS TO TESTIFY

153
00:09:35,618 --> 00:09:37,925
AGAINST BLACK MASK.

154
00:09:37,968 --> 00:09:39,361
REMEMBER HER?

155
00:09:43,104 --> 00:09:46,150
THE ONE THE CROWS WERE
SUPPOSED TO PROTECT?

156
00:09:48,196 --> 00:09:49,719
WAIT.

157
00:09:52,330 --> 00:09:54,202
I CAN'T MAKE
ANY PROMISES
ABOUT THE SAMPLE,

158
00:09:54,245 --> 00:09:56,465
BUT I'LL DO MY BEST.

159
00:09:56,508 --> 00:09:58,293
LET'S HOPE THAT'S ENOUGH.

160
00:10:08,433 --> 00:10:10,610
RYAN: AM I CLOSE?
WE DON'T HAVE A LOT OF TIME.

161
00:10:10,653 --> 00:10:12,089
BATWOMAN, WE TOOK
A GROUP VOTE

162
00:10:12,133 --> 00:10:13,395
AND YOU NEED TO
COME HOME.

163
00:10:13,438 --> 00:10:15,179
WHAT ARE YOU TALKING ABOUT?

164
00:10:15,223 --> 00:10:18,530
ANGELIQUE IS BEING HELD
SOMEWHERE IN THIS DUMP.

165
00:10:18,574 --> 00:10:21,403
AND WHILE WE
APPRECIATE THAT
SHE'S A FORMER FLAME,

166
00:10:21,446 --> 00:10:23,448
SOPHIE JUST DROPPED
AN A-BOMB.

167
00:10:23,492 --> 00:10:25,146
WE NEED TO FIGURE OUT
HOW TO PRESERVE
YOUR IDENTITY.

168
00:10:25,189 --> 00:10:27,757
WE WILL ONCE I FIND
ANGELIQUE.

169
00:10:27,801 --> 00:10:30,586
DIDN'T SOPHIE JUST
SAY THAT WE ONLY HAD
A COUPLE MORE HOURS?

170
00:10:30,630 --> 00:10:31,848
YEAH. SO I GOT TO BE QUICK.

171
00:10:31,892 --> 00:10:33,241
OK. I'M JUST
GONNA SAY IT.

172
00:10:33,284 --> 00:10:34,677
FINDING ANGELIQUE IS NOT
WORTH THROWING

173
00:10:34,721 --> 00:10:36,940
THE BATLEGACY
DOWN THE DRAIN.

174
00:10:36,984 --> 00:10:38,420
EXCUSE ME?

175
00:10:38,463 --> 00:10:40,248
LOOK. I'M JUST SAYING
YOU CAN'T HAVE BOTH.

176
00:10:40,291 --> 00:10:42,816
BLACK MASK IS USING
ANGELIQUE TO COOK
SNAKEBITE, RIGHT?

177
00:10:42,859 --> 00:10:44,992
HE WENT THROUGH
A LOT OF TROUBLE FOR HER,

178
00:10:45,035 --> 00:10:47,211
SO I HIGHLY DOUBT HE'D JUST
KILL OFF HIS GOLDEN GOOSE
RIGHT OFF THE BAT.

179
00:10:47,255 --> 00:10:48,909
PRIORITY NUMBER ONE
SHOULD BE SAVING THE FUTURE

180
00:10:48,952 --> 00:10:51,259
OF THE SYMBOL FOR YOUR SAKE
AND THE CITY'S, AND THEN--

181
00:10:51,302 --> 00:10:53,304
HOW ABOUT THIS?
YOU TWO CALL SOPHIE,

182
00:10:53,348 --> 00:10:55,742
Y'ALL PUT YOUR HEADS TOGETHER
AND SAVE MY FUTURE.

183
00:10:55,785 --> 00:10:57,831
I'LL BE HERE KICKING
SOME FALSE FACE ASS,

184
00:10:57,874 --> 00:10:59,659
SAVING MY PAST.

185
00:11:02,662 --> 00:11:04,446
I'LL CHECK IN LATER.

186
00:11:06,753 --> 00:11:08,319
[MAN GROANING]

187
00:11:08,363 --> 00:11:10,844
OHH! STOP! AAH!

188
00:11:10,887 --> 00:11:13,281
[GROANING]

189
00:11:16,023 --> 00:11:20,157
WHAT THE HELL IS THIS,
BARBEQUE FOR ONE?

190
00:11:20,201 --> 00:11:23,857
BATTY, WHAT BRINGS
YOU HERE?

191
00:11:23,900 --> 00:11:26,816
OH. WAS IT THE ODOR?

192
00:11:26,860 --> 00:11:28,862
HONESTLY, I'VE BEEN
AT THIS SO LONG

193
00:11:28,905 --> 00:11:30,385
I CAN HARDLY SMELL IT.

194
00:11:30,428 --> 00:11:32,082
WHY ARE YOU HERE?

195
00:11:32,126 --> 00:11:33,823
THE FALSE FACE
KIDNAPPED A FRIEND,

196
00:11:33,867 --> 00:11:36,086
SO I'VE BEEN POPPING
BY THEIR KNOWN HIDEOUTS,

197
00:11:36,130 --> 00:11:38,045
SEEING IF SOMEONE
WOULD BE WILLING

198
00:11:38,088 --> 00:11:39,568
TO SPILL HIS
POSSIBLE LOCATION.

199
00:11:39,611 --> 00:11:41,613
I'M LOOKING FOR SOMEONE
THEY KIDNAPPED, TOO.

200
00:11:41,657 --> 00:11:45,008
REALLY? HER NAME
WOULDN'T HAPPEN
TO BE--PBB--

201
00:11:45,052 --> 00:11:49,099
I DON'T KNOW--
ANGELIQUE BY CHANCE?

202
00:11:49,143 --> 00:11:51,232
HOW DO YOU KNOW THAT?

203
00:11:51,275 --> 00:11:54,670
WELL, ACCORDING
TO MR. EXTRA CRISPY
OVER HERE,

204
00:11:54,714 --> 00:11:57,064
WHEN ANGELIQUE
COULDN'T CONJURE UP
THE SPECIAL SAUCE

205
00:11:57,107 --> 00:11:59,283
THAT GIVES SNAKEBITE
ITS BITE,

206
00:11:59,327 --> 00:12:01,285
BLACK MASK TOOK
HER PHONE AND USED IT

207
00:12:01,329 --> 00:12:03,635
TO TRACK DOWN
THE ACTUAL CHEF,

208
00:12:03,679 --> 00:12:07,074
WHO DOES KNOW ALL
11 HERBS AND SPICES.

209
00:12:07,117 --> 00:12:08,989
YOU'RE TALKING
ABOUT OCEAN.

210
00:12:09,032 --> 00:12:10,207
MM-HMM.

211
00:12:10,251 --> 00:12:12,079
I THOUGHT YOU KILLED HIM.

212
00:12:12,122 --> 00:12:13,733
HEH. WELL, THAT'S
COMPLETELY BESIDES
THE POINT.

213
00:12:13,776 --> 00:12:15,473
-WHICH IS?
-ANGELIQUE AND OCEAN

214
00:12:15,517 --> 00:12:17,258
ARE APPARENTLY BEING
HELD AT A PLACE

215
00:12:17,301 --> 00:12:18,781
THAT IS MORE FORTIFIED
THAN THIS ONE,

216
00:12:18,825 --> 00:12:21,088
AND QUITE FRANKLY,
I NEED BACKUP,

217
00:12:21,131 --> 00:12:22,785
BY WHICH I MEAN
SOMEONE TO STAND BEHIND

218
00:12:22,829 --> 00:12:25,701
SO THAT THE BULLETS
DON'T HIT MY VISAGE.

219
00:12:25,745 --> 00:12:28,269
DAMN.

220
00:12:28,312 --> 00:12:31,359
YOU'RE CRAZIER THAN
EVERYONE ALREADY THINKS.

221
00:12:31,402 --> 00:12:34,014
WELL, ENEMY OF MY ENEMY,
DOESN'T THAT MEAN--

222
00:12:34,057 --> 00:12:37,234
THAT YOU'RE STILL THE BITCH
WHO MURDERED MY MOM.

223
00:12:37,278 --> 00:12:40,063
TOUCHEÉ, BUT I'M ALSO
THE BITCH

224
00:12:40,107 --> 00:12:41,978
WHO KNOWS WHERE OUR
BELOVED COOKS ARE.

225
00:12:42,022 --> 00:12:43,371
MAN: UNH!

226
00:12:46,504 --> 00:12:50,204
THE ONLY ONE WHO KNOWS
AS OF NOW,

227
00:12:50,247 --> 00:12:52,946
AND AS MUCH AS OUR
DEARLY DEPARTED WAS
FORTHCOMING

228
00:12:52,989 --> 00:12:55,600
ABOUT THEIR LOCATION,
HE WASN'T AS CLEAR

229
00:12:55,644 --> 00:12:57,689
ABOUT HOW LONG
THEY'D STAY ALIVE.

230
00:12:57,733 --> 00:12:59,779
APPARENTLY, BLACK MASK
JUST WANTS THEM

231
00:12:59,822 --> 00:13:03,826
TO SPILL THE RECIPE,
SO THE CLOCK IS
TICK, TICK, TICKING.

232
00:13:03,870 --> 00:13:07,003
WHAT DO YOU SAY?
PARTNERS?

233
00:13:09,266 --> 00:13:11,965
THAT SILENCE SOUNDS
LIKE A FIRM YES.

234
00:13:14,315 --> 00:13:17,274
YOU CROSS ME,
AND YOU DON'T HAVE TO WORRY

235
00:13:17,318 --> 00:13:19,799
ABOUT BULLETS KILLING YOU.

236
00:13:19,842 --> 00:13:21,496
OK.

237
00:13:23,846 --> 00:13:26,936
OH, GOODY! I'VE
ALWAYS WANTED TO RIDE
IN THE BATMOBILE!

238
00:13:30,461 --> 00:13:32,159
SINGERS: ♪ DOESN'T MATTER
WHICH WAY WE'RE GOING ♪

239
00:13:32,202 --> 00:13:35,292
♪ WE'RE BORN TO TELL LIES,
AND NO MEANS NO ♪

240
00:13:35,336 --> 00:13:36,990
[BATMOBILE ENGINE REVVING]

241
00:13:37,033 --> 00:13:39,557
♪ ALL I NEED
IS TO BURN LIKE GASOLINE ♪

242
00:13:45,955 --> 00:13:50,177
OOH! WHAT DOES
THIS BUTTON DO?

243
00:13:50,220 --> 00:13:53,006
RYAN: PISSES ME OFF.
DON'T MAKE ME HIT
THE EJECTOR SEAT.

244
00:13:53,049 --> 00:13:54,703
THAT EXISTS?

245
00:13:54,746 --> 00:13:56,226
YOU WANT TO FIND OUT?

246
00:13:56,270 --> 00:13:58,620
KIND OF.

247
00:13:58,663 --> 00:14:00,317
WOMAN: ♪ JUST GET ON

248
00:14:00,361 --> 00:14:02,798
INITIATE SELF-DESTRUCT?
COOL.

249
00:14:02,842 --> 00:14:04,452
HEY!

250
00:14:04,495 --> 00:14:06,323
THIS IS A RESCUE MISSION,

251
00:14:06,367 --> 00:14:08,282
NOT A SCHOOL FIELD TRIP.

252
00:14:08,325 --> 00:14:09,674
-STOP!
-YOU AGREED TO THIS

253
00:14:09,718 --> 00:14:11,328
LITTLE TEAM-UP
PRETTY QUICKLY,

254
00:14:11,372 --> 00:14:12,895
WHICH TELLS ME THAT
THIS ANGELIQUE

255
00:14:12,939 --> 00:14:14,505
MUST BE VERY NEAR
AND DEAR TO YOUR HEART.

256
00:14:14,549 --> 00:14:16,072
YOU WANT TO TELL ME
WHERE I SHOULD TURN?

257
00:14:16,116 --> 00:14:17,682
KEEP GOING STRAIGHT,

258
00:14:17,726 --> 00:14:19,946
WHICH I'M GUESSING YOU
DIDN'T DO WITH ANGELIQUE.

259
00:14:19,989 --> 00:14:21,512
COME ON. YOU CAN TELL ME
EVERYTHING.

260
00:14:21,556 --> 00:14:23,384
WHO EMOJIED WHO FIRST?

261
00:14:23,427 --> 00:14:25,908
I'M DYING TO KNOW HOW
A DRUG CHEF STOLE
BATWOMAN'S HEART.

262
00:14:25,952 --> 00:14:27,692
WE ARE NOT DOING THIS.

263
00:14:27,736 --> 00:14:29,651
WE ARE NOT GETTING
TO KNOW EACH OTHER.

264
00:14:29,694 --> 00:14:31,261
EVERYTHING I NEED
TO KNOW ABOUT YOU
IS WRITTEN

265
00:14:31,305 --> 00:14:33,220
ON MY MAMA'S GRAVE.

266
00:14:33,263 --> 00:14:34,874
OK.

267
00:14:47,974 --> 00:14:49,671
WOMAN: CAN I HELP YOU?

268
00:14:52,152 --> 00:14:55,155
COMMANDER KANE
JUST WANTED AN UPDATE
ON THE BATWOMAN SAMPLE.

269
00:14:55,198 --> 00:14:58,114
YEAH? HE'S NOT
THE ONLY ONE.

270
00:14:58,158 --> 00:15:00,334
AGENT TAVAROFF WAS
JUST HERE CHECKING ON IT.

271
00:15:05,469 --> 00:15:09,473
DON'T WORRY. I'M GONNA
BABYSIT THIS THING
THE WHOLE WAY.

272
00:15:09,517 --> 00:15:12,346
HOW LONG
UNTIL IT'S READY?

273
00:15:12,389 --> 00:15:14,130
NOT MUCH LONGER.

274
00:15:20,223 --> 00:15:22,138
BLECH. YOU KNOW
WE'RE GONNA HAVE TO

275
00:15:22,182 --> 00:15:23,923
DEEP CLEAN
THE BATMOBILE NOW.

276
00:15:23,966 --> 00:15:25,359
OH, I AM WELL AWARE.

277
00:15:25,402 --> 00:15:27,056
OK. BASED ON THE TRAJECTORY,
THEY'RE HEADED

278
00:15:27,100 --> 00:15:28,536
SOMEWHERE ALONG THE WATERFRONT.

279
00:15:28,579 --> 00:15:30,973
UGH. I GET THE APPEAL
OF ANGELIQUE

280
00:15:31,017 --> 00:15:33,410
OR WHATEVER, BUT HOW
DESPERATE ARE WE?

281
00:15:33,454 --> 00:15:36,979
I MEAN, ALICE?
ALICE? REALLY?

282
00:15:37,023 --> 00:15:38,589
DO WE EVEN KNOW
THIS ISN'T A TRAP?

283
00:15:38,633 --> 00:15:39,677
NOPE.

284
00:15:39,721 --> 00:15:42,942
[CELL PHONE VIBRATING]

285
00:15:42,985 --> 00:15:44,595
TELL ME YOU DESTROYED IT.

286
00:15:44,639 --> 00:15:47,076
I CAN'T. TOO MANY EYES.
WE NEED A PLAN B.

287
00:15:47,120 --> 00:15:49,122
WHAT? SOPHIE? NO.
EVERY PLAN INVOLVES YOU

288
00:15:49,165 --> 00:15:50,862
DESTROYING THE DAMN SAMPLE!

289
00:15:50,906 --> 00:15:52,821
LOOK. MY ENTIRE OFFICE
IS ACTING LIKE

290
00:15:52,864 --> 00:15:54,910
THEY'RE SITTING
ON THE NUCLEAR CODES.

291
00:15:54,954 --> 00:15:58,131
I'D HAVE AN EASIER TIME
SWIPING RECORDS OUT
OF AREA 51.

292
00:15:58,174 --> 00:16:00,916
THERE ARE ONLY
78 MORE MINUTES TILL
THEY GET HER PROFILE.

293
00:16:00,960 --> 00:16:02,396
THEN THEY'RE GONNA
UPLOAD IT

294
00:16:02,439 --> 00:16:06,008
TO THE NATIONAL
DNA DATABASE, AND...

295
00:16:06,052 --> 00:16:09,881
AND IF SHE'S EVER
BEEN ENTERED IN THERE
FOR ANY REASON EVER,

296
00:16:09,925 --> 00:16:12,275
SUCH AS AN ARREST,
THEY'RE GONNA GET A MATCH,

297
00:16:12,319 --> 00:16:15,409
AND THE WHOLE WORLD
WILL KNOW BATWOMAN'S
IDENTITY.

298
00:16:15,452 --> 00:16:17,019
I GOT TO GO. BYE.

299
00:16:20,631 --> 00:16:21,937
OHH.

300
00:16:38,432 --> 00:16:41,043
HOW DO YOU KNOW
FALSE FACE WAS
TELLING YOU THE TRUTH?

301
00:16:41,087 --> 00:16:42,436
WELL, IT'S HARD TO LIE
THROUGH YOUR TEETH

302
00:16:42,479 --> 00:16:44,307
WHEN THEY'VE ALL
BEEN YANKED OUT.

303
00:17:04,675 --> 00:17:06,677
EVERYBODY READY
FOR THEIR CLOSEUP?

304
00:17:09,767 --> 00:17:13,858
"AN IDIOT'S GUIDE TO
MAKING SNAKEBITE" TAKE ONE.

305
00:17:16,078 --> 00:17:19,168
AND...ACTION.

306
00:17:25,957 --> 00:17:27,263
TAKE TWO.

307
00:17:27,307 --> 00:17:29,091
THERE WILL NOT BE
A TAKE 3.

308
00:17:41,756 --> 00:17:43,584
ONE SENTRY.

309
00:17:43,627 --> 00:17:46,500
LOOKS LIKE THEY'RE
TRYING TO KEEP
A LOW PROFILE.

310
00:17:46,543 --> 00:17:48,806
I WANT TO SEE.

311
00:17:48,850 --> 00:17:51,766
WHY DON'T I GET
ANY BATTOYS?

312
00:17:51,809 --> 00:17:53,463
CAN I LEAST HAVE
A BATARANG?

313
00:17:53,507 --> 00:17:56,858
OK. YOU DRAW HIM OUT,
I'LL TAKE HIM OUT.

314
00:17:56,901 --> 00:17:58,729
THINK YOU CAN
HANDLE THAT?

315
00:17:58,773 --> 00:18:00,079
SURE.

316
00:18:00,122 --> 00:18:02,168
[HORN HONKING]

317
00:18:02,211 --> 00:18:04,126
WHAT THE HELL
ARE YOU DOING?

318
00:18:04,170 --> 00:18:06,172
-WHAT YOU ASKED.
-I TOLD YOU TO DRAW HIM OUT,

319
00:18:06,215 --> 00:18:07,912
NOT DRAW HIM TO US.

320
00:18:07,956 --> 00:18:10,872
AND I DELIVERED.
YOUR MOVE, LOVER GIRL.

321
00:18:17,618 --> 00:18:18,967
UGH!

322
00:18:20,403 --> 00:18:22,362
UNH! AGH!

323
00:18:24,712 --> 00:18:26,757
SEE? THAT WORKED OUT
SPLENDIDLY.

324
00:18:26,801 --> 00:18:28,019
MAN: THERE THEY ARE!

325
00:18:28,063 --> 00:18:29,717
[SHOUTING]

326
00:18:29,760 --> 00:18:31,632
MIGHT WANT TO GIVE ME
THAT BATARANG NOW.

327
00:18:43,644 --> 00:18:46,734
MARY: HEY.

328
00:18:46,777 --> 00:18:48,562
GOT YOU A PREZZIE.

329
00:18:48,605 --> 00:18:50,781
MARY, KIND OF
BUSY RIGHT NOW.

330
00:18:50,825 --> 00:18:52,609
-I CAN'T REALLY DO--
-IT'S NOT FROM ME.

331
00:18:52,653 --> 00:18:55,308
IT'S FROM SOMEONE
WHO KNOWS HOW HARD
YOU ARE TO SHOP FOR,

332
00:18:55,351 --> 00:18:58,659
AND HE GOT YOU THIS.

333
00:19:05,013 --> 00:19:06,928
[QUIETLY] IT'S A TARGETED
KILL DRIVE.

334
00:19:06,971 --> 00:19:09,060
YOUR LAB IS TURNING
BATWOMAN'S DNA EVIDENCE

335
00:19:09,104 --> 00:19:10,801
INTO A BUNCH
OF ONES AND ZEROES,

336
00:19:10,845 --> 00:19:13,064
AND THAT GUY WILL REARRANGE
THOSE ONES AND ZEROES,

337
00:19:13,108 --> 00:19:14,457
MAKING IT UNREADABLE.

338
00:19:16,459 --> 00:19:19,680
DIDN'T KNOW YOU
WERE ON BATWOMAN'S
PAYROLL, AS WELL.

339
00:19:19,723 --> 00:19:24,206
OH. HUH? NO. LUKE JUST
ASKED ME AS A FAVOR

340
00:19:24,250 --> 00:19:27,601
BECAUSE WE HANG OUT
CASUALLY AS FRIENDS.

341
00:19:27,644 --> 00:19:28,906
UH-HUH.

342
00:19:30,517 --> 00:19:31,953
YEAH.

343
00:19:34,521 --> 00:19:36,436
SO ACCORDING
TO THE BAT TEAM

344
00:19:36,479 --> 00:19:38,220
IF I USE THIS DEVICE,
THEN WHEN THE FILE

345
00:19:38,264 --> 00:19:39,830
IS TRANSMITTED
TO THE DNA REGISTRY

346
00:19:39,874 --> 00:19:41,223
IT WON'T MATCH
ANYTHING?

347
00:19:41,267 --> 00:19:43,965
-YEAH.
-THAT'S PRETTY CLEVER.

348
00:19:44,008 --> 00:19:47,011
SO DID LUKE INCLUDE
AN INSTRUCTION MANUAL?

349
00:19:47,055 --> 00:19:49,362
NO, BUT HE IS AVAILABLE
FOR TECH SUPPORT.

350
00:19:49,405 --> 00:19:51,886
YOU JUST HAVE TO PLUG
THAT LITTLE CUTIE

351
00:19:51,929 --> 00:19:55,150
INTO ANY COMPUTER
IN THE BUILDING
WITH TIER ONE ACCESS.

352
00:19:55,194 --> 00:19:57,283
HEH. TIER ONE ACCESS?

353
00:19:57,326 --> 00:19:59,850
THERE'S ONLY ONE PERSON
WITH THAT.

354
00:20:02,070 --> 00:20:04,159
YOUR DAD'S BEEN HOLED UP
IN THERE FOR HOURS.

355
00:20:04,203 --> 00:20:07,684
HOW THE HELL DO YOU
EXPECT ME TO GET
HIM TO LEAVE?

356
00:20:07,728 --> 00:20:09,599
WHY DO YOU THINK I'M HERE?

357
00:20:13,081 --> 00:20:15,388
[ALL GRUNTING]

358
00:20:24,440 --> 00:20:28,575
UNH! UNH! UNH! UNH!

359
00:20:28,618 --> 00:20:31,795
AHH.

360
00:20:31,839 --> 00:20:33,841
WE MAKE A SHOCKINGLY
GOOD TEAM,

361
00:20:33,884 --> 00:20:35,625
AND BY WE, I MEAN
YOUR CAR AND I.

362
00:20:35,669 --> 00:20:37,627
WHERE ARE THE COOKS
BEING HELD ON THE BOAT?

363
00:20:37,671 --> 00:20:39,673
BECAUSE I'M GONNA
TELL YOU?

364
00:20:39,716 --> 00:20:42,719
YOUR BAD.
SHE WAS THE NICE ONE.

365
00:20:42,763 --> 00:20:44,634
WHERE ARE THE COOKS?

366
00:20:44,678 --> 00:20:46,201
[STRAINING]
UPPER DECK. UPPER DECK.

367
00:20:46,245 --> 00:20:48,464
IF THEY WERE HARMED
IN ANY WAY,

368
00:20:48,508 --> 00:20:51,293
I SWEAR TO YOU ON MY
HEADLESS MOTHER'S GRAVE--

369
00:20:51,337 --> 00:20:53,252
UNH!

370
00:20:53,295 --> 00:20:55,645
[SIGHS]

371
00:20:55,689 --> 00:20:57,778
HE JUST PASSED OUT.

372
00:20:57,821 --> 00:21:00,781
OH, MY GOD.
YOU LOVE HIM.

373
00:21:00,824 --> 00:21:02,478
I JUST KICKED HIM
FOR NO REASON.

374
00:21:02,522 --> 00:21:04,872
-NOT HIM. OCEAN.
-OCEAN? WHAT?

375
00:21:04,915 --> 00:21:07,135
N-NO.

376
00:21:07,178 --> 00:21:08,484
IS THAT YOUR
BOYFRIEND?

377
00:21:08,528 --> 00:21:10,269
I DROVE A KNIFE
THROUGH HIS HEART.

378
00:21:10,312 --> 00:21:12,227
WELL, FOR YOU,
THAT'S NOT A NO.

379
00:21:12,271 --> 00:21:15,404
OH. THAT'S TRUE.

380
00:21:15,448 --> 00:21:18,320
I HAD A BIT OF A BREAKTHROUGH
AT YESTERDAY'S THERAPY SESSION,

381
00:21:18,364 --> 00:21:20,627
ALTHOUGH IT WOULD APPEAR
ALL THE UNRESOLVED FEELINGS

382
00:21:20,670 --> 00:21:23,543
I HAVE FOR HIM THAT
I THOUGHT I RESOLVED
IN KILLING HIM

383
00:21:23,586 --> 00:21:27,286
ARE, AS OF YET,
UNFORTUNATELY STILL
ON THE TABLE.

384
00:21:27,329 --> 00:21:29,636
LAST NIGHT'S--AHEM--
STEAMY TRYST

385
00:21:29,679 --> 00:21:33,161
MADE IT ALL
THE MORE CONFUSING.

386
00:21:33,204 --> 00:21:35,294
THAT'S WHY YOU NEEDED
MY HELP,

387
00:21:35,337 --> 00:21:37,600
TO MAKE SURE HE MAKES
IT OUT OF THIS ALIVE.

388
00:21:40,299 --> 00:21:42,344
FOLLOW ME.
STAY CLOSE.

389
00:22:06,412 --> 00:22:09,632
MAN: ALMOST THROUGH
WITH THE COOK, SIR.

390
00:22:09,676 --> 00:22:11,547
I HAVE TO ADMIT
I'M QUITE PLEASED

391
00:22:11,591 --> 00:22:13,593
WITH THE PERFORMANCES.

392
00:22:13,636 --> 00:22:16,596
NUANCE IS EVERYTHING
THESE DAYS.

393
00:22:16,639 --> 00:22:18,337
OCEAN, QUIETLY:
SLOW DOWN.

394
00:22:18,380 --> 00:22:20,426
BUY OURSELVES
AS MUCH TIME
AS POSSIBLE.

395
00:22:20,469 --> 00:22:21,644
WOMAN, ON RADIO: GOT
A PERIMETER BREACH

396
00:22:21,688 --> 00:22:23,167
AT THE NORTH DOCKS.

397
00:22:23,211 --> 00:22:24,517
ROMAN: WHAT IS IT?

398
00:22:24,560 --> 00:22:25,996
APPARENTLY,
WE GOT COMPANY.

399
00:22:26,040 --> 00:22:27,389
WOMAN, ON RADIO:
LOOKS LIKE BATWOMAN.

400
00:22:27,433 --> 00:22:29,913
WHAT?!

401
00:22:29,957 --> 00:22:32,133
AND SHE'S WITH
THAT BITCH ALICE.

402
00:22:32,176 --> 00:22:36,355
WE NEED BACKUP
AT THE NORTH DOCK NOW.

403
00:22:36,398 --> 00:22:39,532
HOW WILL WE PASS
THE TIME?

404
00:22:39,575 --> 00:22:41,708
QUIETLY WOULD BE
MY FIRST CHOICE.

405
00:22:41,751 --> 00:22:46,147
I LIKE YOU.
YOU'RE FUN BUT MEAN.

406
00:22:46,190 --> 00:22:48,323
YOU SURE THIS
ANGELIQUE CHICK IS
GOOD ENOUGH FOR YOU?

407
00:22:48,367 --> 00:22:50,717
SHE IS. THANK YOU
FOR YOUR CONCERN.

408
00:22:50,760 --> 00:22:53,589
IS SHE, THOUGH?
I MEAN, CITY HERO,
DRUG DEALER.

409
00:22:53,633 --> 00:22:56,984
DOESN'T EXACTLY SCREAM
ROYAL WEDDING.

410
00:22:57,027 --> 00:22:59,378
YOU ASKING FOR A FRIEND...

411
00:22:59,421 --> 00:23:02,903
OR ARE YOU ASKING
BECAUSE YOU ACCIDENTALLY

412
00:23:02,946 --> 00:23:05,558
HAVE FEELINGS FOR SOMEONE
AND IT TERRIFIES YOU?

413
00:23:07,690 --> 00:23:12,826
BECAUSE...HOW COULD
ANYONE EVER LOVE A MONSTER

414
00:23:12,869 --> 00:23:14,741
WHO WATCHED HER GANG
KILL A WOMAN

415
00:23:14,784 --> 00:23:17,178
AND NOT EVEN WONDER
HER NAME?

416
00:23:20,268 --> 00:23:22,618
OBVIOUSLY ASKING
FOR A FRIEND.

417
00:23:22,662 --> 00:23:24,446
HEH HEH.

418
00:23:24,490 --> 00:23:27,275
ANGELIQUE WAS THE ONLY
PERSON IN OUR GROUP HOME

419
00:23:27,318 --> 00:23:29,451
WHO EVER HAD MY BACK.

420
00:23:32,323 --> 00:23:35,457
I SEE.

421
00:23:35,501 --> 00:23:37,503
SO YOU WERE PLUCKED
AWAY LIKE

422
00:23:37,546 --> 00:23:41,942
THE LITTLE ORPHAN ANNIE
WHILE SHE WAS LEFT BEHIND.

423
00:23:41,985 --> 00:23:46,294
THAT'S WHY YOU'RE
SO DETERMINED TO SAVE
HER NOW, ISN'T IT?

424
00:23:46,337 --> 00:23:50,559
GUILT. HA HA HA!

425
00:23:50,603 --> 00:23:52,909
WHERE HAVE I HEARD
THAT BEFORE?

426
00:23:52,953 --> 00:23:56,478
ECH. YOUR PREDECESSOR
WAS OBSESSED
WITH SAVING ME.

427
00:23:56,522 --> 00:24:00,221
SHE COULDN'T ACCEPT
REALITY AND MOVE ON.

428
00:24:00,264 --> 00:24:04,443
POOR THING DIDN'T
REALIZE UNTIL IT WAS
TOO LATE...

429
00:24:04,486 --> 00:24:06,140
AND THEN SHE DIED.

430
00:24:11,232 --> 00:24:13,277
JUST A LITTLE
PIECE OF ADVICE

431
00:24:13,321 --> 00:24:16,890
FROM AN ANTIHERO
TO A HERO.

432
00:24:16,933 --> 00:24:21,590
YOU CAN'T SAVE
EVERYONE,

433
00:24:21,634 --> 00:24:24,027
NOT WITHOUT LOSING
WHO YOU ARE.

434
00:24:25,768 --> 00:24:29,511
MAN: GO! LET'S GO!

435
00:24:29,555 --> 00:24:31,557
THEY'RE AT THE NORTH DOCKS.

436
00:24:38,738 --> 00:24:40,435
IF YOU REALLY WANT
TO KNOW WHO I AM,

437
00:24:40,479 --> 00:24:42,872
YOU SHOULD KNOW THIS
ABOUT ME.

438
00:24:42,916 --> 00:24:46,136
I AM SOMEONE
WHO NEVER FORGETS.

439
00:24:46,180 --> 00:24:47,486
[HANDCUFFS LATCH]

440
00:24:51,228 --> 00:24:52,795
WHAT ARE YOU DOING?

441
00:24:52,839 --> 00:24:54,318
OH, DON'T WORRY.

442
00:24:54,362 --> 00:24:58,061
I'M GONNA SAVE OCEAN...
FROM YOU.

443
00:24:58,105 --> 00:25:02,805
I AM GOING TO
MAKE SURE HE KNOWS
EXACTLY WHAT YOU ARE.

444
00:25:13,120 --> 00:25:15,557
AND...CUT.

445
00:25:17,603 --> 00:25:19,518
THAT'S A WRAP.

446
00:25:31,312 --> 00:25:33,053
BATWOMAN TO BATCAVE.

447
00:25:33,096 --> 00:25:35,534
I'M IN, BUT...

448
00:25:35,577 --> 00:25:38,362
KIND OF GOT
A MAZE SITUATION GOING HERE.

449
00:25:41,452 --> 00:25:43,411
UH, HEAD TO THE LEFT.

450
00:25:43,454 --> 00:25:45,326
THERE SHOULD BE
A STAIRWELL IN
THE NORTHEAST CORNER.

451
00:25:45,369 --> 00:25:47,067
RYAN: COPY.

452
00:25:47,110 --> 00:25:49,286
[VIBRATING]

453
00:25:51,593 --> 00:25:53,334
LUKE: HEY.
SOPHIE: HEY. SO THE LAB'S

454
00:25:53,377 --> 00:25:55,205
ABOUT TO UPLOAD
BATWOMAN'S DNA
TO THE MAINFRAME.

455
00:25:55,249 --> 00:25:56,903
TALK ME THROUGH THIS.

456
00:25:56,946 --> 00:25:58,426
AS SOON AS THE FILE'S
UPLOADED,

457
00:25:58,469 --> 00:26:00,080
CLICK ON BATWOMAN'S
PROFILE.

458
00:26:00,123 --> 00:26:01,603
IT'LL SHRED THAT BABY
TO HIGH-TECH RIBBONS.

459
00:26:01,647 --> 00:26:04,040
-THAT'S IT?
-THAT'S IT.

460
00:26:04,084 --> 00:26:05,564
[SIGHS]

461
00:26:09,611 --> 00:26:11,221
[CHIME]

462
00:26:15,312 --> 00:26:17,227
LET'S HOPE THIS
WAS WORTH THE WAIT.

463
00:26:19,665 --> 00:26:24,408
AND...THEY'RE STARTING
THE UPLOAD NOW.

464
00:26:24,452 --> 00:26:28,108
OK. HERE IT COMES.

465
00:26:28,151 --> 00:26:30,545
-OH, NO.
-WHAT? WHAT HAPPENED?

466
00:26:30,589 --> 00:26:32,721
IT'S NOT JUST BATWOMAN'S FILE.

467
00:26:32,765 --> 00:26:34,593
THEY'RE UPLOADING
DNA PROFILES FROM DOZENS

468
00:26:34,636 --> 00:26:36,595
OF CROWS INVESTIGATIONS.

469
00:26:36,638 --> 00:26:38,118
YOU CAN'T SINGLE
HERS OUT?

470
00:26:38,161 --> 00:26:39,510
THAT'S THE PROBLEM.
THEY MADE THE FILE LABELS

471
00:26:39,554 --> 00:26:40,947
NUMBERS FOR ANONYMITY.

472
00:26:40,990 --> 00:26:42,513
THERE ARE NO NAMES,

473
00:26:42,557 --> 00:26:46,126
MEANING THERE'S NO WAY
TO TELL THEM APART.

474
00:26:46,169 --> 00:26:49,216
THE ONLY WAY TO GET
BATWOMAN'S WOULD BE
TO CORRUPT THEM ALL.

475
00:26:49,259 --> 00:26:51,174
HOW SERIOUS
ARE THESE CASES?

476
00:26:51,218 --> 00:26:54,395
THIS BEING GOTHAM,
WE CAN BE DAMN SURE
IT'S NOT FOR JAYWALKING.

477
00:26:56,963 --> 00:26:58,878
IF WE DID THIS,

478
00:26:58,921 --> 00:27:01,663
WE WOULDN'T JUST BE
PROTECTING BATWOMAN.

479
00:27:01,707 --> 00:27:04,797
WE WOULD BE PROTECTING
RAPISTS AND MURDERERS.

480
00:27:07,495 --> 00:27:09,149
WE CAN'T DO IT, LUKE.

481
00:27:09,192 --> 00:27:12,065
WHAT ABOUT BATWOMAN,
SOPHIE?

482
00:27:12,108 --> 00:27:13,762
THE RESULTS WILL BE
BACK IN A MATTER
OF MINUTES.

483
00:27:13,806 --> 00:27:15,895
WHAT ARE WE
SUPPOSED TO DO?

484
00:27:15,938 --> 00:27:17,636
I MIGHT HAVE AN IDEA.

485
00:27:23,946 --> 00:27:25,513
WHAT IS THIS?

486
00:27:25,556 --> 00:27:27,428
GUESS WHO PASSED
THE HEALTH INSPECTION

487
00:27:27,471 --> 00:27:31,693
WITH FLYING COLORS. HA!

488
00:27:31,737 --> 00:27:33,956
LAST TIME WE SPOKE,
I GOT THE DISTINCT IMPRESSION

489
00:27:34,000 --> 00:27:36,567
YOU HAD NO INTEREST
IN LEGITIMIZING
THIS PLACE.

490
00:27:36,611 --> 00:27:40,049
I DIDN'T,
BUT I DO CARE
ABOUT STAYING OPEN

491
00:27:40,093 --> 00:27:41,921
AND YOU KEEPING
YOUR GUYS OUT
OF MY HAIR,

492
00:27:41,964 --> 00:27:45,751
SO CONSIDER THIS...
A COMPROMISE.

493
00:27:45,794 --> 00:27:48,928
WOW. I'M IMPRESSED.

494
00:27:48,971 --> 00:27:50,843
WE'VE GOT
UP-TO-CODE STORAGE,

495
00:27:50,886 --> 00:27:52,540
CERTIFIED NURSES
AND DOCTORS.

496
00:27:52,583 --> 00:27:55,108
SAD TO SAY, THAT
LEAVES ME INSIDE
MOST DAYS

497
00:27:55,151 --> 00:27:56,631
DOING PAPERWORK.

498
00:27:59,765 --> 00:28:03,377
-YOU OK?
-HMM?

499
00:28:03,420 --> 00:28:04,900
YOU'RE SWEATING.
HERE.

500
00:28:04,944 --> 00:28:08,425
YEAH. NO. I'M--
I'M FINE.

501
00:28:08,469 --> 00:28:12,299
SO WHAT HAPPENS
IF SOMEONE WALKS IN
WITH A GUNSHOT WOUND

502
00:28:12,342 --> 00:28:15,694
THAT YOU'RE SUPPOSED
TO REPORT TO GCPD?

503
00:28:15,737 --> 00:28:19,001
WELL...I DO WHAT
THE REGULATIONS SAY.

504
00:28:19,045 --> 00:28:21,961
I FILL OUT
THIS THINGY,

505
00:28:22,004 --> 00:28:24,137
AND I FAX IT
TO THE GCPD USING

506
00:28:24,180 --> 00:28:26,487
THIS RIDICULOUS
MONSTROSITY,

507
00:28:26,530 --> 00:28:29,708
WHICH I'M PRETTY SURE
IS TWICE AS OLD AS I AM.

508
00:28:29,751 --> 00:28:32,536
THIS AN OVERSIGHT?

509
00:28:32,580 --> 00:28:39,065
UH...WELL, NO ONE
EVER TAUGHT ME HOW
TO SEND A TELEGRAPH

510
00:28:39,108 --> 00:28:41,502
OR A FAX
OR WHATEVER THEY ARE,

511
00:28:41,545 --> 00:28:44,548
AND THERE'S N-NOTHING
IN THE REGULATIONS

512
00:28:44,592 --> 00:28:46,637
THAT REQUIRES ME
TO HIRE AN I.T. GUY.

513
00:28:46,681 --> 00:28:49,118
SO YOU FIGURED OUT
YOUR WORKAROUND.

514
00:28:49,162 --> 00:28:50,903
COMPROMISE WORKS
BOTH WAYS.

515
00:28:50,946 --> 00:28:52,295
WELL, THEN AS FAR
AS I'M CONCERNED,

516
00:28:52,339 --> 00:28:53,688
YOU'RE CLEAR TO
OPEN SHOP.

517
00:28:53,732 --> 00:28:55,951
-I NEED TO GET GOING.
-WH--

518
00:28:55,995 --> 00:28:57,953
WAIT, WAIT, WAIT, WAIT.
SERIOUSLY,

519
00:28:57,997 --> 00:28:59,825
YOU DO GET THAT
WE'RE BASICALLY

520
00:28:59,868 --> 00:29:02,610
TREATING AND HARBORING
POTENTIAL CRIMINALS HERE.

521
00:29:02,653 --> 00:29:04,525
WELL, IF IT MEANS YOU'LL
START TAKING MY CALLS AGAIN,

522
00:29:04,568 --> 00:29:06,570
I DON'T NEED TO KNOW
THAT THAT THING IS
NOT PLUGGED IN.

523
00:29:06,614 --> 00:29:09,443
I'LL--I'LL TALK
TO YOU LATER.

524
00:29:09,486 --> 00:29:10,705
UH!

525
00:29:12,794 --> 00:29:16,015
HUH. WELL, THAT WORKED.

526
00:29:39,038 --> 00:29:42,693
WHERE'S BATWOMAN?

527
00:29:42,737 --> 00:29:46,959
FINALLY, A MEMBER
OF THIS LAME SOCIETY
WHO'S ACTUALLY TRYING.

528
00:29:47,002 --> 00:29:49,091
LOVE THIS. IS IT OAK?

529
00:30:04,150 --> 00:30:06,108
YOU CAN FIND HER
ON THE DECK.

530
00:30:06,152 --> 00:30:08,371
I'LL BE BACK FOR YOU.

531
00:30:10,504 --> 00:30:12,375
LOOKING FORWARD TO IT.

532
00:30:21,080 --> 00:30:23,169
TAVAROFF: OK.
A FEW MORE MINUTES,

533
00:30:23,212 --> 00:30:26,041
AND THE WORLD WILL KNOW
THE NAME BEHIND THE BAT.

534
00:30:26,085 --> 00:30:28,565
DIBS ON ARRESTING
HER ASS BY THE WAY. HEH.

535
00:30:38,140 --> 00:30:39,620
[SIGHS]

536
00:30:42,014 --> 00:30:43,624
COME ON, COME ON.

537
00:30:43,667 --> 00:30:46,061
COME ON,

538
00:30:47,802 --> 00:30:49,543
COME ON, COME ON, COME ON.

539
00:30:49,586 --> 00:30:52,024
ALL RIGHTIE.
WHO'S READY FOR THIS?

540
00:30:52,067 --> 00:30:53,895
BETTING WINDOWS
ARE CLOSED.

541
00:30:53,939 --> 00:30:56,550
THE IDENTITY
OF BATWOMAN 2.0 IS...

542
00:30:58,595 --> 00:31:01,381
NONE FOUND? WHAT--
WHAT THE?

543
00:31:03,470 --> 00:31:05,385
THIS IS B.S.

544
00:31:05,428 --> 00:31:07,213
HOW COULD SHE NOT BE
IN THE SYSTEM?

545
00:31:07,256 --> 00:31:09,955
SOPHIE: UH-OH.

546
00:31:09,998 --> 00:31:12,174
DID SOMEONE SEND OUT
INVITES TO A PARTY

547
00:31:12,218 --> 00:31:15,221
BEFORE THEY FOUND OUT
IF THERE WAS A PARTY?

548
00:31:15,264 --> 00:31:17,745
[AGENTS CHUCKLING]

549
00:31:17,788 --> 00:31:19,094
TAVAROFF: WHAT ARE YOU
LOOKING AT?

550
00:31:19,138 --> 00:31:20,835
BACK TO WORK.

551
00:31:25,753 --> 00:31:27,798
SOPHIE: TELL BATWOMAN
SHE'S GOOD.

552
00:31:27,842 --> 00:31:29,191
WHAT DID YOU DO?

553
00:31:29,235 --> 00:31:31,237
IT'S HANDLED.
THAT'S ALL THAT MATTERS.

554
00:31:31,280 --> 00:31:32,934
NOW I GOT TO DELETE
MY DIGITAL FOOTPRINT

555
00:31:32,978 --> 00:31:35,415
SO THE COMMANDER NEVER
FINDS OUT ABOUT THIS.

556
00:31:39,375 --> 00:31:41,116
ANGELIQUE: LOOK, DUDE.
YOU DON'T HAVE TO KILL US.

557
00:31:41,160 --> 00:31:42,857
WE CAN MAKE AS MANY
BATCHES AS YOU WANT.

558
00:31:42,901 --> 00:31:44,946
SHE'S RIGHT, MAN.
WATCHING A HOW-TO VIDEO

559
00:31:44,990 --> 00:31:46,339
ISN'T THE REAL THING.

560
00:31:46,382 --> 00:31:47,644
THERE'S A MILLION
VARIABLES--

561
00:31:47,688 --> 00:31:48,863
POTENCY OF THE FEAR TOXIN,

562
00:31:48,907 --> 00:31:51,126
MUSHROOM OIL--OHH!

563
00:31:51,170 --> 00:31:52,562
WHAT THE HELL, MAN?

564
00:31:55,565 --> 00:31:58,046
[WHOOSH]

565
00:31:58,090 --> 00:32:00,962
STOP.

566
00:32:01,006 --> 00:32:02,224
WAIT.

567
00:32:02,268 --> 00:32:04,009
YOU DON'T WANT
TO DO THAT.

568
00:32:04,052 --> 00:32:06,054
WHAT? THIS?

569
00:32:16,369 --> 00:32:17,979
HOW DID YOU FIND US?

570
00:32:18,023 --> 00:32:20,503
YOUR GIRL RYAN
SENDS HER LOVE.

571
00:32:20,547 --> 00:32:21,940
[OCEAN GASPING]

572
00:32:21,983 --> 00:32:24,029
-CAN YOU WALK?
-GO WITHOUT ME.

573
00:32:24,072 --> 00:32:25,813
DUDE, NO. YOU'RE
COMING WITH US.

574
00:32:25,856 --> 00:32:27,641
COME ON, COME ON!

575
00:32:29,730 --> 00:32:32,689
HEY. YOU'RE GONNA
GET OUT OF HERE.

576
00:32:32,733 --> 00:32:36,650
YOU'RE GONNA FIND
THAT GIRL YOU WON'T
SHUT UP ABOUT, OK?

577
00:32:36,693 --> 00:32:40,393
YEAH. GO FIND
YOUR GIRL.

578
00:32:40,436 --> 00:32:42,047
YOU GUYS TAKE
THE BACK,

579
00:32:42,090 --> 00:32:43,526
KEEP YOUR EYES UP.

580
00:32:43,570 --> 00:32:45,267
THERE'S FALSE FACE
EVERYWHERE.

581
00:32:45,311 --> 00:32:46,703
[GRUNTS]

582
00:32:49,358 --> 00:32:52,144
H-HEY. THANK YOU.

583
00:32:52,187 --> 00:32:53,623
ANGELIQUE: COME ON.

584
00:33:03,155 --> 00:33:06,897
HEH HEH. THEY'RE
NOT LEAVING HERE.

585
00:33:06,941 --> 00:33:10,814
YES, THEY ARE UNLESS
YOU CAN GET THROUGH ME.

586
00:33:10,858 --> 00:33:12,773
HEALTH and PERTURBATOR:
♪ WE FORGOT IT AWAY

587
00:33:12,816 --> 00:33:15,558
♪ WE'RE TRAPPED IN A DREAM

588
00:33:17,778 --> 00:33:20,128
♪ PAIN

589
00:33:20,172 --> 00:33:22,435
♪ AND WHO WE CHOOSE TO

590
00:33:22,478 --> 00:33:24,393
♪ BLAME

591
00:33:24,437 --> 00:33:27,005
♪ ARE YOU'RE ON YOUR OWN

592
00:33:27,048 --> 00:33:28,919
♪ OR STUCK HERE WITH ME?

593
00:33:28,963 --> 00:33:30,660
AAH!

594
00:33:34,534 --> 00:33:36,405
[BOTH GRUNT]

595
00:33:43,108 --> 00:33:44,544
ERR!

596
00:33:49,679 --> 00:33:51,333
♪ COULD HAVE NEVER MET

597
00:33:51,377 --> 00:33:55,337
♪ START IT AGAIN,
GO BACK TO THE WATER ♪

598
00:33:55,381 --> 00:33:57,731
♪ START IT AGAIN

599
00:33:57,774 --> 00:34:01,256
♪ THE BLOOD ON THE ALTAR

600
00:34:01,300 --> 00:34:03,780
[GASPING]

601
00:34:09,221 --> 00:34:10,874
THANK YOU.

602
00:34:10,918 --> 00:34:12,441
NEVER LEAVE A WOMAN
WHO'S BEEN IN CAPTIVITY

603
00:34:12,485 --> 00:34:13,964
HALF HER LIFE ALONE
WITH A HAIRPIN.

604
00:34:14,008 --> 00:34:16,315
OOF!

605
00:34:16,358 --> 00:34:17,794
UNH!

606
00:34:24,018 --> 00:34:25,802
RAAH!

607
00:34:31,460 --> 00:34:34,246
[CLANG]

608
00:34:34,289 --> 00:34:35,899
AAH!

609
00:34:38,032 --> 00:34:40,774
[GAGGING]

610
00:34:40,817 --> 00:34:42,297
HELP ME!

611
00:34:45,779 --> 00:34:47,215
GOOD LUCK WITH THAT.

612
00:34:49,826 --> 00:34:52,829
I REMEMBER YOUR MOM.

613
00:34:52,873 --> 00:34:55,658
CORA. I REMEMBER HER.

614
00:34:55,702 --> 00:34:58,400
SHORT HAIR,
PURPLE SWEATER.

615
00:34:58,444 --> 00:35:02,012
I LIED ABOUT FORGETTING HER.

616
00:35:02,056 --> 00:35:04,624
NOW HELP ME...PLEASE.

617
00:35:08,062 --> 00:35:10,108
LIKE YOU SAID,

618
00:35:10,151 --> 00:35:11,979
CAN'T SAVE EVERYONE.

619
00:35:16,114 --> 00:35:18,638
[ALICE GAGGING]

620
00:35:48,146 --> 00:35:49,321
WHAT?

621
00:36:01,246 --> 00:36:02,638
OH, MY GOD.

622
00:36:07,077 --> 00:36:08,644
[KNOCKS ON DOOR]

623
00:36:08,688 --> 00:36:10,820
HEY! CHECK IT!

624
00:36:10,864 --> 00:36:13,083
IT'S AMAZING WHAT
A LITTLE PAINT

625
00:36:13,127 --> 00:36:16,913
AND 6 FIGURES WORTH
OF PERMITS AND DOCTORS'
SALARIES WILL DO, RIGHT?

626
00:36:16,957 --> 00:36:23,224
YEAH. IT'S, UH--
WOW--NICE.

627
00:36:23,268 --> 00:36:26,401
HEY. HAVE YOU NOTICED
ANYTHING STRANGE
ABOUT YOUR DAD LATELY?

628
00:36:26,445 --> 00:36:27,968
WHAT DO YOU MEAN?

629
00:36:28,011 --> 00:36:29,709
I MEAN HIS DEMEANOR.

630
00:36:29,752 --> 00:36:32,190
ANY MOOD SWINGS,
HEALTH ISSUES?

631
00:36:32,233 --> 00:36:34,453
MARY: HE SEEMED FINE
WHEN I SAW HIM TODAY.

632
00:36:34,496 --> 00:36:37,934
I MEAN, HE SIGNED OFF
ON THE PLACE.

633
00:36:37,978 --> 00:36:40,415
HE EVEN SAW
THE FAX MACHINE.

634
00:36:40,459 --> 00:36:43,288
-WHAT FAX MACHINE?
-THE ONE THAT'S

635
00:36:43,331 --> 00:36:45,812
NOT PLUGGED IN THAT
KEEPS US FROM HAVING TO

636
00:36:45,855 --> 00:36:48,858
REPORT OUR PATIENTS
TO THE AUTHORITIES.

637
00:36:48,902 --> 00:36:50,730
HE SIGNED OFF
ON THAT?

638
00:36:50,773 --> 00:36:52,427
YOUR DAD?

639
00:36:52,471 --> 00:36:54,429
YEAH.

640
00:36:54,473 --> 00:36:56,953
WHY ARE YOU ASKING ME
ALL THESE QUESTIONS?

641
00:37:00,914 --> 00:37:03,177
I FOUND THIS
IN HIS OFFICE.

642
00:37:06,354 --> 00:37:08,835
HE PROBABLY SEIZED IT
ON A BUST.

643
00:37:08,878 --> 00:37:11,925
WOULDN'T IT BE
IN EVIDENCE THEN?

644
00:37:11,968 --> 00:37:15,798
WHAT ARE YOU SAYING?
IT'S HIS?

645
00:37:15,842 --> 00:37:19,324
YOUR DAD BLEW UP
AT ME TODAY OUT
OF NOWHERE.

646
00:37:19,367 --> 00:37:21,369
HE KICKED ME OUT
OF HIS OFFICE.

647
00:37:21,413 --> 00:37:23,893
THEN I FOUND THIS
A FEW HOURS LATER.

648
00:37:23,937 --> 00:37:26,331
IT SORT OF JUST SOUNDS
LIKE MY DAD.

649
00:37:26,374 --> 00:37:30,596
SOPH, YOU CAN'T BE
SERIOUS.

650
00:37:30,639 --> 00:37:33,512
YOU SHOULD TALK
TO HIM, MARY.

651
00:37:33,555 --> 00:37:39,082
MY DAD IS NOT DOING
SNAKEBITE.

652
00:37:39,126 --> 00:37:41,476
THEN IT SHOULD BE
A SHORT CONVERSATION,

653
00:37:41,520 --> 00:37:43,522
BUT I REALLY THINK
YOU NEED TO HAVE IT.

654
00:37:51,704 --> 00:37:55,490
[JASON WALKER'S "IN ANOTHER LIFE
[GOODBYE]" PLAYING]

655
00:37:55,534 --> 00:37:57,013
[KNOCK ON DOOR]

656
00:38:02,410 --> 00:38:05,326
I THOUGHT YOU'D NEVER
WANT TO SEE ME AGAIN.

657
00:38:05,370 --> 00:38:06,893
RYAN, DON'T.

658
00:38:06,936 --> 00:38:10,462
WALKER: ♪ THAT THIS
WAS COMING ♪

659
00:38:10,505 --> 00:38:12,681
DON'T WHAT?

660
00:38:12,725 --> 00:38:14,683
APOLOGIZE.

661
00:38:14,727 --> 00:38:16,598
I TOLD YOU

662
00:38:16,642 --> 00:38:20,472
THAT YOU'D BE PROTECTED
IF YOU RATTED OUT BLACK MASK.

663
00:38:20,515 --> 00:38:22,604
YOU ALMOST DIED
BECAUSE OF ME.

664
00:38:22,648 --> 00:38:26,608
NO. I ALMOST DIED
BECAUSE THAT'S WHAT
I SIGNED UP FOR--

665
00:38:26,652 --> 00:38:29,394
TO MAKE A LOT OF MONEY,
TO FEEL LIKE I MATTER,

666
00:38:29,437 --> 00:38:32,092
AND TO KNOW THAT
EVERYTHING COULD BE
RIPPED AWAY

667
00:38:32,135 --> 00:38:34,137
AT ANY MOMENT,
INCLUDING MY LIFE

668
00:38:34,181 --> 00:38:36,618
AND ALL THE PEOPLE
I CARE ABOUT.

669
00:38:36,662 --> 00:38:38,838
IT'S MY FAULT.

670
00:38:41,449 --> 00:38:44,191
THEN LET'S START OVER,

671
00:38:44,234 --> 00:38:48,064
PUTTING ALL OF THIS
BEHIND US.

672
00:38:48,108 --> 00:38:51,546
COME INTO WITNESS
PROTECTION WITH ME.

673
00:38:51,590 --> 00:38:53,374
-WHAT?
-I MADE A DEAL WITH THE FEDS.

674
00:38:53,418 --> 00:38:54,854
EVERYTHING I KNOW
ABOUT FALSE FACE

675
00:38:54,897 --> 00:38:56,464
IN RETURN
FOR MY PROTECTION.

676
00:38:56,508 --> 00:38:58,510
IT'S REAL.
I TRUST THEM.

677
00:39:00,512 --> 00:39:02,992
WHERE ARE YOU GONNA GO?

678
00:39:03,036 --> 00:39:05,430
COME WITH ME
AND FIND OUT.

679
00:39:05,473 --> 00:39:10,696
THERE'S NOTHING
HOLDING US BACK NOW.

680
00:39:10,739 --> 00:39:12,698
SAY SOMETHING.

681
00:39:14,830 --> 00:39:16,832
MY LIFE IS HERE.

682
00:39:16,876 --> 00:39:19,400
HERE? GOTHAM SUCKS.

683
00:39:19,444 --> 00:39:22,098
IT SWALLOWED US WHOLE
AND SPIT US OUT, RY.

684
00:39:22,142 --> 00:39:24,100
BUT WHAT IF IT COULD
SUCK LESS?

685
00:39:24,144 --> 00:39:26,059
HOW? THIS CITY'S
A CESSPOOL.

686
00:39:26,102 --> 00:39:28,975
LOOK OUT
THE FREAKING WINDOW.

687
00:39:29,018 --> 00:39:32,326
THERE ARE WAYS
TO FIX IT.

688
00:39:32,370 --> 00:39:35,068
LIKE THE COMMUNITY CENTER
I'M WORKING ON.

689
00:39:35,111 --> 00:39:38,071
ANG, WHAT IF KIDS LIKE US
DIDN'T HAVE TO GROW UP

690
00:39:38,114 --> 00:39:39,681
IN THE SAME CITY
WE DID?

691
00:39:42,075 --> 00:39:45,208
I NEVER DESERVED YOU,
DID I?

692
00:39:45,252 --> 00:39:48,081
ARE YOU KIDDING ME?

693
00:39:48,124 --> 00:39:49,952
YOU CHANGED MY LIFE.

694
00:39:49,996 --> 00:39:55,697
WALKER: ♪ IT'S HARD TO SAY

695
00:39:55,741 --> 00:39:57,612
I'M GONNA
MISS YOU, RY.

696
00:39:57,656 --> 00:40:01,964
WALKER: ♪ HARD TO SAY

697
00:40:02,008 --> 00:40:03,575
♪ GOODBYE

698
00:40:03,618 --> 00:40:05,185
ME, TOO.

699
00:40:10,190 --> 00:40:14,412
♪ IN ANOTHER LIFE

700
00:40:17,502 --> 00:40:23,377
♪ IT'S ALWAYS HARD
TO SAY GOODBYE ♪

701
00:40:34,301 --> 00:40:36,172
PRETTY SWANKY PLACE
YOU GOT HERE

702
00:40:36,216 --> 00:40:39,045
FOR A GUY WHO SLINGS DOPE
IN THE STREETS.

703
00:40:39,088 --> 00:40:41,917
ALICE, DELUSIONAL
LEADER

704
00:40:41,961 --> 00:40:45,181
OF THE DEFUNCT
AND FAILED
WONDERLAND GANG.

705
00:40:45,225 --> 00:40:47,053
CHARMED I'M SURE.

706
00:40:47,096 --> 00:40:49,055
I'M NOT.

707
00:40:49,098 --> 00:40:52,101
WHY IS SHE GETTING
FLEAS ON MY FURNITURE?

708
00:40:52,145 --> 00:40:55,801
SHE WAS WITH BATWOMAN
DURING TONIGHT'S SIEGE.

709
00:40:55,844 --> 00:40:57,759
FIGURED YOU'D APPRECIATE
A FACE TO FACE.

710
00:40:57,803 --> 00:41:00,370
HMM.

711
00:41:00,414 --> 00:41:04,374
NAH. JUST KILL HER.

712
00:41:04,418 --> 00:41:06,072
HEH. WHOA, WHOA,
WHOA, WHOA.

713
00:41:06,115 --> 00:41:07,682
I DIDN'T EVEN DO ANYTHING.

714
00:41:07,726 --> 00:41:09,379
I WAS CHAINED TO A PIPE
MOST OF THE NIGHT.

715
00:41:11,599 --> 00:41:14,123
ACTUALLY, THERE IS
ONE THING SHE HAS

716
00:41:14,167 --> 00:41:16,952
THAT COULD BE
OF INTEREST.

717
00:41:16,996 --> 00:41:19,781
DUMP HER IN THE CELLAR.
I'LL DEAL WITH HER TOMORROW.

718
00:41:27,136 --> 00:41:28,877
HEH HEH.

719
00:42:07,089 --> 00:42:09,048
MAN: GREG, MOVE YOUR HEAD!


